Conferencia: Video Remix. Prosumidores, postproducción y cultura
recicla/da/ble
23-25 de enero de 2014, Universidad de Murcia
Contenido:
• Mashup como interacción
cognitiva
• Remix como
metáfora cultural
• ¿Objeto o
proceso?
• Remix como
argumento digital
• Remezclas y
“nuevas humanidades”
Bibliografía
Anderson, Steve. 2011. Technologies
of History: Visual Media and the Eccentricity of the Past. Hanover,
NH: Dartmouth College Press.
Combes, Rosemary. 2005. "Making Music
in the Soundscapes of the Law." Prefacio al libro de Joanna Demers Musical
Appropriation, Musical Meaning, and the Law. Athens: University of Georgia
Press.
Cook, Nicholas. 2013. «Beyond Music: Mashup, Multimedia Mentality, and
Intellectual Property». En The Oxford Handbook of New Audiovisual Aesthetics,
Claudia Gorbman, Carol Vernallis y John Richardson, 53-76. Oxford: Oxford
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Coppa, Francesca. 2008. "Women, Star
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Works and Cultures, no. 1.doi:10.3983/twc.2008.0044.
____2009. "A Fannish Taxonomy of Hotness." Cinema Journal 48 (4): 107–13. doi:10.1353/cj.0.0136.
____2009. "A Fannish Taxonomy of Hotness." Cinema Journal 48 (4): 107–13. doi:10.1353/cj.0.0136.
Fauconnier, Gilles; Turner, Mark
(2008), The way we think: Conceptual blending and the mind's hidden
complexities, Basic Books.
Kuhn, Virginia. 2012.
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Francesca Coppa and Julie Levin Russo, special issue, Transformative Works
and Cultures, no. 9. doi:10.3983/twc.2012.0358.
Lessig, Lawrence. 2008. Remix:
Making Art and Commerce Thrive in the Hybrid Economy. Penguin Press.
López Cano, Rubén 2010. La vida en copias. Breve cartografía del reciclaje musical digital. Letra. Imagen. Sonido. Ciudad mediatizada 5, pp. 171-185.
____2011. Reseña de Stefan Sonvilla-Weiss (Ed.). Mashup Cultures. Viena: Springer, 2010. 256 pp. ISBN: 978-3709100950 Letra. Imagen. Sonido. Ciudad mediatizada 8, pp. 145-157.
____2011. Reseña de Stefan Sonvilla-Weiss (Ed.). Mashup Cultures. Viena: Springer, 2010. 256 pp. ISBN: 978-3709100950 Letra. Imagen. Sonido. Ciudad mediatizada 8, pp. 145-157.
Navas, Eduardo. 2010. «Regressive and Reflexive
Mashups in Sampling Culture». En Mashup Cultures, Stefan Sonvilla-Weiss,
157-77. Nueva York: Springer.
____2012. Remix Theory : The Aesthetics of Sampling. Wien; New York: Springer.
____ SD.http://remixtheory.net/.
____2012. Remix Theory : The Aesthetics of Sampling. Wien; New York: Springer.
____ SD.http://remixtheory.net/.
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Sinnreich, Aram. 2010. Mashed Up:
Music, Technology, and the Rise of Configurable Culture. Amherst and
Boston: University of Massachusetts Press.
Stein, Louisa. 2009. "It's
Contagious: Twitter and the Palimpsest of Authorship." Flow TV 9
(14).
Wees, William. 1993. Recycled
Images: The Art and Politics of Found Footage Films. New York:
Anthology Film Archives.
